Hiykon Limited

Small Diaphragm Condenser Microphone which excels in its uses as a microphone for strings, acoustic guitars and pianos.

Compact dynamic cardioid instrument microphone. Transmits high SPLs without distortion. Compatible with toms, snares, and percussion.

Electret condenser microphone with super-cardioid pickup. Rugged, for live performance and lead vocals with natural, detailed sound.

Professional super-cardioid, dynamic instrument mic. Versatile to handle drums, percussion, and guitar amplifiers.

Dynamic cardioid vocal microphone offering a smooth, natural sound. Fast transient response ensures no details are missed. Low handling noise.

Extremely versatile, robust legendary dynamic cardioid microphone. Easy handling due to pronounced directivity.

Compact dynamic cardioid instrument microphone. Transmits high SPLs without distortion. Compatible with toms, snares, and percussion as a clip on microphone.

AD2 delivers impeccable audio quality and RF performance with wide-tuning, High Density mode, and encryption. Features durable metal construction, rechargeable power with dockable charging, and black or nickel finish options.

ADX1M delivers impeccable audio quality and RF performance, and is equipped with ShowLink® remote control for real-time parameter adjustments and interference avoidance. The contoured form factor and lightweight PEI construction offer both comfort and heat resistance. This transmitter features wide tuning, High Density (HD) mode, encryption, and advanced rechargeability. Membrane switches and LEMO connector protect against moisture, while the OLED display provides excellent visibility in low-light environments. Includes two SB910M rechargeable batteries.

Axient Digital offers dual and quad receiver options that open the door to a full range of features, from high-performance RF to transparent digital audio. The AD4D Two-Channel Digital Receiver sets a new standard in spectral efficiency. Groundbreaking performance features include wide tuning, low latency, and High Density (HD) mode, ensuring solid performance in the most challenging RF environments. Networked control, AES3 + AES67 + Dante™ output, and signal routing options bring a new level of management and flexibility to your entire workflow.

The Beta 52a is ideal for kick drums, bass amps and acoustic bass. It has the quality and durability to be used on stage and in the studio.

The Beta 56a is ideally suited for snares and toms, either on stage or in the studio. It can also be used with other instruments such as guitar and bass amps, brass and a saxophone amongst others.

The Beta 57a is a dynamic instrument microphone provides high gain before feedback in demanding environments. Ideally suited to guitar amps, acoustic guitar, saxophone, snare drum and brass. It can also be used by vocal artists.

The Beta 58a uses a supercardioid pattern and is ideally suited for vocals on stage or in a studio.

Permanently Polarized Condenser Microphone with a Super-cardioid Characteristic for Vocals.

Permanently Polarized Condenser Microphone with a Super-cardioid Characteristic for Vocals. On a capsule head for the UR2

Detachable-Capsule Boundary Condenser Microphone.

Kick drum microphone provides a strong low-end response and maximum gain-before-feedback due to its half-cardioid polar pattern.

Snare and tom microphone delivers a tailored frequency response and high gain-before-feedback, and consists of an A98D Drum Mount.

Miniature instrument microphone delivers high gain-before-feedback and excellent rejection of unwanted noise due to its cardioid pickup pattern.