SFL Group

The VC-1 Video Converter series provides uncompromising picture quality by maintaining the video characteristics of the original signal. There are no interlacing artifacts or other conversion or signal errors sometimes found with other video converters. The VC-1 series also features an on-board re-clocker to compensate for attenuation of SDI signals carried over long distances

A complete portable HD studio in a single unit. Single-person operation of sound and picture using faders, buttons and touch screen. The Roland VR-50HD all-in-one AV mixer beautifully integrates an audio mixer, video switcher, multi-viewer touch screen and USB video/audio streaming into a stand-alone device. This single unit delivers functionality that until now required a number of peripheral devices to accomplish. This portable live HD production solution is ideal for schools, churches, council meetings, corporate events, sports, training, or any other live event.

The 3 RU two channel D12 amplifier delivers medium to high power into low impedance loads between 4 and 16 ohms and is ideally suited for use in both mobile and installation environments. The D12 contains setups for all d&b loudspeakers and a linear mode. The signal delay capability enables user definable settings of up to 340 msec (=100 m/328.1 ft) to be applied independently to each channel. The same applies to the 4-band parametric equalizer, providing optional boost/cut or notch filtering. The D12 incorporates a digital rotary encoder and a LCD display to configure the amplifier.

The 2 RU four channel D20 amplifier is ideally suited to mobile and installation applications which require low to medium Sound Pressure Level (SPL) capabilities. The D20 features the same Digital Signal Processing (DSP) platform as the latest generation of d&b amplifiers, containing configurations for all d&b loudspeakers except the J-Series and the M2 monitor, plus a linear mode.

The 2 RU two channel lightweight D6 amplifier delivers medium power into low impedance loads between 4 and 16 ohms and is ideally suited for use in both mobile and installation environments. The D6 contains configurations for d&b loudspeakers and a linear mode; exceptions are 2-Way Active, V-Series and B2-SUB. The signal delay capability enables user definable settings of up to 340 msec (=100 m/328.1 ft) to be applied independently to each channel. The same applies to the 4-band parametric equalizer, providing optional boost/cut or notch filtering. The D6 incorporates a digital rotary encoder and a LCD display to configure the amplifier.

The 2 RU four channel D80 amplifier is a high power density amplifier, ideally suited for use in both mobile and installation environments. It contains configurations for all d&b loudspeakers and a linear mode.

The LA4X is an amplified controller based on a four input by four output architecture combining the benefits of the self-powered speaker packages with the flexibility of outboard DSP and amplification.

A complete Dimming, Mains and Data Distribution Solution in one box! The compact box with proven Art 2000 technology is quick to set up. It boasts 12 dimmer circuits at 10A each, 6 combined dimmer/fixed mains at 10A each, 6 fixed mains at 16A each and 2 utility CEE16 outlets at 16A each. Available with Single pole and double breakers and standard supplied 5 pole 63A CEE connector, 3 x 30mA RCB’s allowing three phase and single phase operations or socapex. Whether it is used for a conference, fashion show or any live event the Powercube powers a wide range of devices from moving lights, strobes, LED battons/fixtures and projectors.

All SkyPanel "C" (Colour) versions are tuneable, easily adjust the CCT from 2800K > 10000K with minusgreen control and access the full colour gamut with Hue and Saturation, RGBW Mixing, Digital GEls, Source Matching or CIE x,y coordinates. Achieving over 85% of the colours within the Rec 2020 colour space.

All SkyPanel "C" (Colour) versions are tuneable, easily adjust the CCT from 2800K > 10000K with minusgreen control and access the full colour gamut with Hue and Saturation, RGBW Mixing, Digital GEls, Source Matching or CIE x,y coordinates. Achieving over 85% of the colours within the Rec 2020 colour space.

The Avolites Tiger Touch II represents the perfect combination of power and portability. This third-generation console is packed with enough power for complex shows, yet small and light enough to fly in standard hold luggage. The console features SMPTE timecode support and a redesigned button layout to match the entire Titan range.

All the power of an Avolites Pearl it offers all the Pearl features including Theatre Playback, timecode, MIDI triggers, etc

The ART2000 system provides a complete solution to Dimming and Moving Light Power distribution. You no longer need to have separate mains distribution making set up times faster and reducing the number of individual components needed to put a show together.

The D112 has earned a well-deserved reputation worldwide as the best kick drum microphone ever made. Heavy-footed drummers are thrilled with the D112´s ability to handle up to 160dB SPL without any distortion. The diaphragm has a very low resonance frequency to maintain a solid and powerful response below 100Hz. A narrow band presence boost at 4kHz punches through dense mixes with forceful impact – no additional EQ needed!

The D2 is used for stage, studio and broadcast applications. It is designed with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a VLM™ diaphragm for natural, accurate sound reproduction. The D2 is an excellent choice for miking instruments with a percussive nature such as rack toms, congas, saxophones, guitar cabinets and brass. Transformer less design, low impedance and balanced output insure that the D2 will perform interference-free.

With a wide frequency response of 40 Hz – 18 kHz and the ability to handle SPLs in excess of 144 dB, the D4 is an excellent choice for miking instruments requiring precise, low frequency reproduction such as large rack toms, floor toms, cajon, djembe, tympani, leslie bottom, bass flute, saxophone and baritone saxophone, trombone, acoustic bass, bass cabinets and small kick drums.

The D6 is used for stage, studio and broadcast applications. Designed with a cardioid pickup pattern for isolation and feedback control, the D6 is equipped with a VLM™ diaphragm for natural, accurate sound reproduction. Lightweight, compact and easy to position, the D6 is an excellent choice for miking instruments requiring extended low frequency reproduction such as kick drums, large toms and bass cabinets. The D6s transformer less design, low impedance and balanced output allow for interference-free performance.