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The S-4000S-3208 is a component of the S-4000 Digital Snake System. It has 32 inputs, 8 outputs and redundant Ethernet connectors. It is typically used on the stage providing 32 mic/line inputs and 8 outputs or returns. Each channel has remotely switchable Phantom Power as well as a 20 dB pad.

The S-4000S-3208 is a component of the S-4000 Digital Snake System. It has 32 inputs, 8 outputs and redundant Ethernet connectors. It is typically used on the stage providing 32 mic/line inputs and 8 outputs or returns. Each channel has remotely switchable Phantom Power as well as a 20 dB pad.

The S-4000S-3208 is a component of the S-4000 Digital Snake System. It has 32 inputs, 8 outputs and redundant Ethernet connectors. It is typically used on the stage providing 32 mic/line inputs and 8 outputs or returns. Each channel has remotely switchable Phantom Power as well as a 20 dB pad.

The S-4000S-3208 is a component of the S-4000 Digital Snake System. It has 32 inputs, 8 outputs and redundant Ethernet connectors. It is typically used on the stage providing 32 mic/line inputs and 8 outputs or returns. Each channel has remotely switchable Phantom Power as well as a 20 dB pad.

The SB168-ES offers superb support for live sound. 16 channels of sonically-superb remote analog input — each with its own head amp — combine with 8 channels of analog output to let you chain multiple units in sequence for simultaneous use.

The SB168-ES offers superb support for live sound. 16 channels of sonically-superb remote analog input — each with its own head amp — combine with 8 channels of analog output to let you chain multiple units in sequence for simultaneous use.

The SB168-ES offers superb support for live sound. 16 channels of sonically-superb remote analog input — each with its own head amp — combine with 8 channels of analog output to let you chain multiple units in sequence for simultaneous use.

The SB168-ES offers superb support for live sound. 16 channels of sonically-superb remote analog input — each with its own head amp — combine with 8 channels of analog output to let you chain multiple units in sequence for simultaneous use.

Specifically designed for use with SB168-ES EtherSound stage boxes, the M7CL-48ES replaces the 48 internal head amps of the M7CL-48 with two EtherSound ports that provide plug-and-play connection to up to three SB168-ES units. The M7CL is familiar and comfortable to use, offering a level of convenience that overturns the preconception that “digital is difficult”. A surprising range of functions that you would normally have to supply in the form of peripheral equipment is built in, and all of this is provided in a space that is dramatically less than an analog console of similar scope.

Specifically designed for use with SB168-ES EtherSound stage boxes, the M7CL-48ES replaces the 48 internal head amps of the M7CL-48 with two EtherSound ports that provide plug-and-play connection to up to three SB168-ES units. The M7CL is familiar and comfortable to use, offering a level of convenience that overturns the preconception that “digital is difficult”. A surprising range of functions that you would normally have to supply in the form of peripheral equipment is built in, and all of this is provided in a space that is dramatically less than an analog console of similar scope.

Specifically designed for use with SB168-ES EtherSound stage boxes, the M7CL-48ES replaces the 48 internal head amps of the M7CL-48 with two EtherSound ports that provide plug-and-play connection to up to three SB168-ES units. The M7CL is familiar and comfortable to use, offering a level of convenience that overturns the preconception that “digital is difficult”. A surprising range of functions that you would normally have to supply in the form of peripheral equipment is built in, and all of this is provided in a space that is dramatically less than an analog console of similar scope.