TESTING (SFL)

The Radial J48 has been designed from the ground up to deliver the most natural tone. As a direct box manufacturer, we do not believe it is our task to alter the sound of your prized ‘1962 Fender Jazz Bass’, but retain and transfer the true character of the instrument to the mixing console without adding distortion or introducing artifact. This design philosophy has gained a tremendous following from many of the world’s most demanding musicians.

The Radial SGI is a high performance line driver that takes an unbalanced guitar signal and allows you to drive it as far as 100 meters (300ft) without noise. In the studio, it allows the guitarist to sit in the control room and connect to a distant guitar amp. On stage, the SGI can be used to play the guitar amp using off-stage isolation cabinets or be used to manage guitar signals to and from wireless systems, pedalboards and amplifiers.

Dynamic cardioid instrument microphone. Designed for drums and percussion. Compact with clip to attach to the rims of toms and snares. Excellent sound profiling, adapts to all percussive styles. Robust metal casing.

The Beta 27 is unique in the industry as the only side-address, supercardioid condenser mic designed for professional sound reinforcement.

Optimized for low-frequency bass punch and high-power SPL handling, the Beta 52A’s supercardioid design provides maximum isolation from other onstage sounds.

The Beta 58A dynamic vocal microphone is precision-engineered for live performance and project studio recording. A tailored frequency response accentuates vocals, and the supercardioid pattern isolates from other sound sources.

The Beta 91A is optimised for kick drums, as well as traditional low end applications including piano. It uses a half-cardioid condenser boundary microphone with an integrated XLR preamplifier that is tailored for a strong low-end response. It has a two-position contour switch for optimised sound signature depending on application.

The Beta 98/S condenser microphone is precision-engineered for high-SPL instrument applications. Its supercardioid polar pattern provides maximum isolation from other onstage sounds.

The KSM137 is a premium cardioid condenser instrument microphone with a switchable pad and low frequency filter.

The KSM32 is a premium condenser microphone which features an extremely flat, extended frequency response to provide a perfectly transparent or neutral reproduction of the sound source.

The SM27 is a rugged and versatile large-diaphragm, side-address cardioid condenser microphone, with premium components for exceptional stage and studio performance applications.

The legendary SM58® is an industry-standard, highly versatile cardioid dynamic vocal microphone, tailored to deliver warm and clear vocal reproduction. The SM58 is consistently the first choice for vocal performances around the globe.

The premier UR2 transmitter with the legendary Beta 58A offers excellent sound for professional vocal performances.

The Beta 87A on the UR2 transmitter features the Beta 87A supercardioid condenser microphone head which gives you studio quality sound and is tailored for lead vocals for live performance. It also provides maximum isolation from other onstage sounds.

The KSM9 with the UR2 transmitter features the KSM9 cardioid/supercardioid condenser vocal microphone head which captures vocal subtlety with extraordinary detail to deliver clear articulation and precise vocal reproduction for live performance.

Weighing only 2.2 oz without batteries, the UR1M Micro-Bodypack Transmitter is the most compact bodypack available from Shure. It works with headworn, lavalier, and instrument microphones and cables. Its removable antenna provides additional flexibility, and a threaded connector securely locks microphone or instrument cables. Other advanced features include a multi-function bit-mapped LCD, frequency and power lockout and infrared automatic transmitter sync. The UR1 can be used continuously for up to 9 hours using 2 x AAA lithium batteries. (6 hours using alkaline or NiMH)

Premier Wireless Technology.Shure UHF-R® Wireless Microphone Systems master the high pressure and extreme conditions of any large-scale touring or installations environment while delivering uncompromising Shure sound. Rock-solid engineering, the latest technology, and unparalleled RF performance provide sound professionals with all the features and flexibility they need to tightly control up to 108 systems for the most elaborate productions.

The ground breaking PRO2 features 64 simultaneous input channels with 8 award-winning MIDAS Microphone Preamplifiers and 27 time-aligned and phase-coherent mix buses. Like all PRO Series consoles, the PRO2 features managed latency and 40 bit floating point processing precision. Designed for use in high-profile live sound applications, the PRO2 sets a new standard of performance and portability in a compact digital console form factor.

The MIDAS PRO Series family moves up a gear with the PRO X control centre and the industry-changing NEUTRON Audio System Engine. Featuring 168 simultaneous input channels and 99 time-aligned and phase-coherent mix buses, the PRO X sets a new performance benchmark in high-profile live sound applications and is a truly impressive digital control surface for the engineer whose very livelihood depends on both unparalleled functionality and reliability. Like all PRO Series consoles, the PRO X features managed latency and 40 bit floating point processing precision.