The ground breaking PRO2 features 64 simultaneous input channels with 8 award-winning MIDAS Microphone Preamplifiers and 27 time-aligned and phase-coherent mix buses. Like all PRO Series consoles, the PRO2 features managed latency and 40 bit floating point processing precision. Designed for use in high-profile live sound applications, the PRO2 sets a new standard of performance and portability in a compact digital console form factor.

The Yamaha sound begins with reproduction that is faithful to the source. QL series consoles feature circuitry and components that have been designed and selected with the utmost care, achieving outstanding audio purity from input to output. With that solid sonic foundation it becomes possible to take full advantage of built-in premium internal processors such as the Portico 5033/5043 created in cooperation with Rupert Neve, to shape and create as required.

The MIDAS PRO Series family moves up a gear with the PRO X control centre and the industry-changing NEUTRON Audio System Engine. Featuring 168 simultaneous input channels and 99 time-aligned and phase-coherent mix buses, the PRO X sets a new performance benchmark in high-profile live sound applications and is a truly impressive digital control surface for the engineer whose very livelihood depends on both unparalleled functionality and reliability. Like all PRO Series consoles, the PRO X features managed latency and 40 bit floating point processing precision.

The Roland M-5000 console’s internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/busses. This allows you to essentially “build” a console structure based on the immediate needs of the application. This makes for a console that accommodates high levels of flexibility for precise response to dynamically changing applications and venues

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The S-4000S-3208 is a component of the S-4000 Digital Snake System. It has 32 inputs, 8 outputs and redundant Ethernet connectors. It is typically used on the stage providing 32 mic/line inputs and 8 outputs or returns. Each channel has remotely switchable Phantom Power as well as a 20 dB pad.

The SB168-ES offers superb support for live sound. 16 channels of sonically-superb remote analog input — each with its own head amp — combine with 8 channels of analog output to let you chain multiple units in sequence for simultaneous use.

Specifically designed for use with SB168-ES EtherSound stage boxes, the M7CL-48ES replaces the 48 internal head amps of the M7CL-48 with two EtherSound ports that provide plug-and-play connection to up to three SB168-ES units. The M7CL is familiar and comfortable to use, offering a level of convenience that overturns the preconception that “digital is difficult”. A surprising range of functions that you would normally have to supply in the form of peripheral equipment is built in, and all of this is provided in a space that is dramatically less than an analog console of similar scope.

The 5U size Rio3224-D provides 32 ins, 16 outs, and four AES/EBU outputs.

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48 Input, 16 Output Stage Box with 48 MIDAS Microphone Preamplifiers.

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16 Input, 8 Output Stage Box with 16 MIDAS Microphone Preamplifiers